Aria maestosa lyrics1/29/2024 The aria is the basis of Michael Nyman's In Re Don Giovanni (1977), his first work for the Michael Nyman Band. Romanticism interpreted the obsession expressed in the catalogue as a longing for the absolute. According to Massimo Mila, "this Commedia dell'arte gag (which used to be accompanied by the gesture of unrolling the catalogue's scroll towards the audience) had incalculable consequences in determining the romantic interpretation of Don Giovanni's character". Some commenters have found that several devices in the text and the music manage to convey a universal meaning, something beyond a simple, humorous list of women: for instance, Luigi Dallapiccola remarks that the line "Cento in Francia, in Turchia novantuna", breaks the rhythm of octosyllables and so illuminates the whole aria. Kierkegaard finds in this aria the true epic significance of the opera: condensing in large groups countless women, it conveys the universality of Don Giovanni as a symbol of sensuality and yearning for the feminine. The comic sides of this aria have dramatic and ominous undertones. He conjectures that the number 1003, the number of Spanish women seduced by Don Giovanni, might be a last remnant of the original legend about Don Giovanni (or Don Juan) moreover, the number 1003 being odd and somewhat arbitrary suggests in Kierkegaard's opinion that the list is not complete and Don Giovanni is still expanding it. Kierkegaard discusses the aria in the section "The Immediate Stages of the Erotic, or Musical Erotic" of his Either/Or. In Gazzaniga's opera, the aria in which Don Giovanni's servant, Pasquariello, describes his master's catalogue of lovers to Donna Elvira begins: The most immediate forerunner (premiering in 1787, a few months before Mozart's Don Giovanni) was the opera Don Giovanni, o sia Il convitato di pietra composed by Giuseppe Gazzaniga to a libretto by Giovanni Bertati. GS Stockwell on foo_dsp_xgeq ~ Advanced Foobar…įollow The Audio File on WordPress.The aria's two halves reverse the usual order of cavatina followed by cabaletta: in the first, a quick Allegro in 4/4, Leporello has a patter summarizing the number and occupations of Don Giovanni's lovers, while in the second, an Andante con moto in 3/4, in the style of a polonaise (with a melody similar to that of the Larghetto of Mozart's earlier Quintet for Piano and Winds), he describes his approaches and preferences, while Donna Elvira presumably listens in horror.Ī corresponding scene in which Don Giovanni's servant expounds the catalogue of his master's lovers was already present in several versions of Don Juan's story, in opera, theatre and Commedia dell'arte: probably the initiator was a version of Il convitato di pietra ( The Stone Guest) attributed to Andrea Cicognini. Tom2tec on foo_dsp_xgeq ~ Advanced Foobar… DialogMusicPlayer ~ Simple & Minimal Android Player May 23, 2022.rAudio-1 ~ Raspberry Pi Audio Player May 24, 2022.Quiet on the Set ~ Windows Volume Limiter May 25, 2022.Pitch Pipe ~ Android Instrument Tuning June 9, 2022.Poddycast ~ Cross-platform Podcast App June 11, 2022.WWSpatialAudioPlayer ~ Windows Spatial Audio Player June 15, 2022.wma2wav ~ Convert WMA To Wave Audio June 18, 2022.Find & Play ~ Foobar2000 Music Search Extension June 18, 2022.wavtoac3encoder ~ WAV To AC3 Encoder July 10, 2022.Blue Cat Chorus ~ Free Vintage Chorus July 24, 2022.Tags analysis artwork AU BSD composition conversion cross-platform cue DAW Editor equalization FLAC foobar component GNU Jack last.fm Linux MIDI mp3 music OSX playlist plugin Recording Server streaming Synthesizer Tagging VST web service Recent
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